You're killing it! Welcome to the advanced section of our course. We are reaching the upper echelons of what's possible during a freestyle. Master this material, and it'll be difficult to tell your freestyle from a written. This stuff is easy to understand in theory but hard to actually implement. However, there are some skills that you've hopefully already practiced that will help you:
Also fair warning to those who just tried to jump ahead to this part without doing the rest, you probably won't be able to do some of these techniques but good luck anyways.
INTERNAL RHYMES CAN REPLACE ENDING RHYMES...
This will be short. Before we get into rhyme schemes we need to cover partial rhymes. They're as simple as they sound. Partial rhymes are when you only rhyme part of your original rhyme. Here's an example:
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The power in this is that you can chose which part of the word or phrase you want to rhyme. You'll also notice that this rhyme scheme is the most complex we've seen up until now but they can get even crazier:
While it's not reasonable to expect to be able to plan something that complex in a freestyle, we can teach you how to juggle multiple rhyme sets. This will allow you to make rhyme sets of arbitrary complexity.
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The technique is simple enough to understand. To start, pick three single syllable rhyme sets that aren't similar in sound. Now pick three objects in the room with you right now that are a fair distance apart. For each rhyme set associate an object you picked to a rhyme set. This will take some time at first but you can do it. It helps if the object are somehow related to the objects.
Ex: Picking a wooden table for brown, crown sound, etc.
Now freestyle while shifting your gaze between the three objects. You'll notice you can remember what rhyme set they're associated with. This makes it so while your freestyling, you can shift between a fixed amount of rhyme sets an arbitrary amount of times. All you have to do is shift your gaze.
Of course you'll get faster at associating, and can get good enough to have any amount of syllables, any distance apart, however similar sounding. This is similar to the mental palace technique. If you discover any other tricks that help you with this technique, please email us so we can include it here.